Category Archives: Horror

The Eye (2002)

A blind woman gets a new pair of eyes which allow her to see for the first time since she was a child, but there’s a catch. Not only is she able to see the world around her for the first time in years, she also has acquired this brand new super power where she can see dead people! She can also sort of see the future. And the past. Well, another person’s past anyway. Then there’s mysterious shadowy guy who accompanies some of the dead people she sees. I felt like I could have used a brain transplant before understanding completely what was going on in this eye transplant movie. Continue reading

A Cold Night’s Death (1973)

Something is terribly wrong at the Tower Mountain Research Station! It’s horror at high altitude when two scientists arrive to replace one of their colleagues whose radio transmissions have grown increasingly erratic and they discover him dead at the radio, once a brilliant man, now only an egghead-flavored Popsicle, but worse, he left the lab a total mess! Continue reading

Emanuelle and the Last Cannibals (1977)

Once there was a movie called simply enough, Emmanuelle. Released in 1974, it starred Sylvia Kristel as a horny French gal living in Bangkok. Sporting such a powerful plot, the movie easily spawned about seven legitimate sequels. But this isn’t our Emmanuelle. You see our Emanuelle is known as the Black Emanuelle and if she had to sacrifice an “M” in her name to avoid being sued, she more than made up for it by ditching the French softcore style of the original for an even more trashy Italian style! Continue reading

Dracula (1931)

Were this any other horror movie where the characters stood around and unconvincingly spewed forth lines and plot points while periodically swiping haplessly at oversized rubber bats suspended on wires as visible as in any Godzilla movie, I would complain about problems involving bad acting, unimaginative direction, a barely explained villain, and an actor playing the villain with such laughably exaggerated gestures and mannerisms that you wonder if he thought this was a Mel Brooks comedy and file it away as just another low budget terror flick that had neither the talent nor the inclination to be anything else. Continue reading

Blood Thirst (1971)

Those of you who sat through the wretched Blood Suckers that headlined this double feature DVD from Something Weird Video and figured that at least you still had another movie to go and that it might be able to justify your purchasing this, let me ask you one question that will bring your situation into focus: Are you really hoping that a Filipino movie starring nobodies and featuring a wisecracking hero who merely comes off as obnoxious is going to do anything for you except make you wonder how it is that one of the only other two movies the director made was Jean Claude Van Damme’s Bloodsport? Continue reading

Massacre in Dinosaur Valley (1985)

This Brazil-set cannibal epic from one of your off-brand Italian auteurs (Michele Massimo Tarantini) is an entry level one meaning that normal people will be repulsed by its sleazy smorgasbord of violence which includes people shot, impaled, gutted, raped, enslaved, drowning in quicksand, dying in plane wrecks, animal abuse and of course a breast scratched by a triceratops claw. Continue reading

Seven Blood-Stained Orchids (1972)

sevenbloodstainedorchidsposterOn the surface, it’s an odd combination to say the least – a Cornell Woolrich story serving as the basis for an Umberto Lenzi film. Woolrich was the author of several stories during the fifties that were turned into such film noirs as Black Angel and Phantom Lady. Alfred Hitchcock’s Rear Window was also based on a Woolrich story.

Lenzi is best known as king of the cannibals for his Cannibal Ferox, Deep River Savages, and Eaten Alive films. But he was also proficient earlier in his career with thrillers in the giallo mold including Spasmo and Orgasmo so maybe it isn’t such a surprise that itt all works much better than you would suspect, resulting in an easily digestible confection of mystery, graphic violence, and Antonio Sabato. Continue reading