While the first Rankin/Bass Easter special can easily be hailed as a surrealistic fever dream whose avalanche of eye-popping moments (Peter Cottontail dressed up as turkey, a spider flying in a rocket, a group of caterpillars wearing body paint that resembles the American flag), if they don’t exactly captivate a surely confused audience, at least give you reason to stay awake through the narcoleptic songs that litter Here Comes Peter Cottontail like so many unwelcome rabbit pellets, it is the introduction to constitutional law it gives children that really provides viewing value for do-gooder parents who demand cartoons be educational instead of fun. Continue reading “Here Comes Peter Cottontail (1971)”
The story of Easter can’t help but move you to your very soul! The love, the sacrifice, the moment of doubt and ultimately the resurrection that allows the message of hope to be spread to everyone for ever after! And though we inevitably come up wanting in trying to follow his example, his love for us never wanes! So I praise you Stuffy, the first Easter Rabbit! Continue reading “The First Easter Rabbit (1976)”
Cruise Into Terror is a masterclass on the importance of a man keeping his woman satisfied in the bedroom. Ostensibly about a lost Egyptian tomb in the Gulf of Mexico (don’t ask – it was the 70s!), the film ably depicts the terrible things that can happen when a neglected woman is forced to copulate with the Antichrist’s babysitter! Continue reading “Cruise Into Terror (1978)”
If you had ever told me that trading a dirty fish tank for Sir Richard Burton (Cleopatra, The Robe) in a movie about a killer brain would be total downgrade, I would have been right to scoff at such an absurd suggestion.
But then I watched The Medusa Touch in which the viewer is subjected to almost two hours of Burton whining to his psychiatrist (Lee Remmick obviously cashing in on her supernatural notoriety from her role in The Omen. For his part, Burton was fresh off The Exorcist II, so he was just cashing in.) about how he keeps hoping people would die horrible deaths and then they did. After that, I couldn’t help but think wistfully back to the golden age of killer brain movies like Donovan’s Brain. Continue reading “The Medusa Touch (1978)”
There are all sorts of twists and turns in Along Came A Spider, an ABC Moive of the Week starring Suzanne Pleshette and Ed Nelson as a couple of star-crossed psychopath lovers. Sometimes, you’ll think she’s crazy, sometimes you’ll think he’s crazy and sometimes watching the mindgames going on between her archeologist character and his physicist character, you’ll wonder if we shouldn’t just shut down all the universities and make people get real jobs where they don’t have so much free time to concoct meticulous murders and frame ups. Continue reading “Along Came a Spider (1970)”
Joe Patroni is back! The spiritual center of the Airport series (strictly by default since he’s the only recurring character in all four films) completes a journey that began in the original Airport when he was the chief mechanic who helped shovel out a snowbound plane on Runway 29. Since that blizzardy night, he’s become an executive at a different airline, gone on to be a liaison between the military and yet another company, before finally settling in at a fourth airline as a pilot who now magically has 30 years experience flying all manner of aircraft! Continue reading “The Concorde… Airport ’79 (1979)”
An avalanche of stock footage and primitive special effects conspire to bury poor bloated Rock Hudson’s career in this Roger Corman-produced late 70s entry in the disaster film canon. And while the avalanche sequence, regardless of how unconvincingly it was edited, at least provided the only moments of excitement, the film otherwise seemed intent on putting so little effort into even the expected tropes of the genre you barely were given a chance to laugh at the characters’ various crises! Continue reading “Avalanche (1978)”