When Zeke finds a crate marked “office supplies” floating in the local river, takes it back to his dump of a house and opens it to find an advanced, highly destructive anti-matter ray gun, the audience’s excitement builds in anticipation of the entire hick town of King Bee, Arizona being zapped into the Negative Zone, along with the abusive family, bullying kids, and cruel school officials who make his life hell.
But a funny thing happened on the way to the rampage as Zeke spends much of the film holed up in a cafe, holding the mayor, sheriff, and town pastor hostage. And then anonymous Saturday Night Live alum Gary Kroeger shows up as a smarmy TV personality to interview the troubled Zeke. Didn’t director Michael Miner know that whenever Kroeger came on SNL, that meant it was time for a bathroom break? Continue reading “Deadly Weapon (1989)”
Despite being derided as being so terrible that it helped create its own mass extinction level event (the end of the 1970s disaster movie genre), if we’re being honest, Meteor is a painfully accurate depiction of what would happen if the Earth was about suffer a large asteroid impact.
Namely, that our heroes would push a few buttons, turn some dials, and watch countdown clocks and computer monitors until the giant rock either hit us or it didn’t while bustling around huffing and puffing to disguise the fact that they really had nothing to do but stand around with their thumb in their asses the whole time. Continue reading “Meteor (1979)”
The Big One hits the viewer early on in the small scale earthquake drama The Day the Earth Moved, followed by an hour of aftershocks that easily measure a 9.0 of stupid on the Richter Scale.
From the beginning of the movie when Jackie Cooper’s pilot Steve Barker finds himself a virtual prisoner of a small town’s bizarre system of dealing with speeders to the revelation that somehow he knows an earthquake is about to hit that small town to him having to hijack his own airplane to airlift the disbelieving townspeople to safety, the only thing constructed in more slipshod fashion than the dilapidated town of Bates is the script. Continue reading “The Day the Earth Moved (1974)”
A cautionary tale about the dangers of standing up to bullies, Massacre at Central High will likely trigger gasps of disbelief for a generation of snowflakes raised to believe that youthful tormentors serve no purpose and that teachers and administrators at their school are ever present to assist students and keep them safe. Continue reading “Massacre at Central High (1976)”
Since this ABC Movie of the Week uses an exclamation mark in its title, it’s safe to assume that this is no ordinary heatwave. If it was your routine heatwave, people would simply be sweating, short tempered, whining about their air conditioning not working and moaning about water restrictions. In short, it would be summer. Assigning the heatwave the dreaded Category 5 of punctuation though takes things to next level sizzle! Continue reading “Heatwave! (1974)”
Well that’s something else I can cross off my bucket list. After slogging through ninety minutes of what is mostly a painfully dull pseudo documentary/travelogue and only sporadically a science fiction movie, I really have no desire anymore to visit Easter Island.
Watching a group of seven people wander around the island aimlessly for a half hour really drove home the point that after you’ve stared at those giant stone heads for about five minutes, you’re kind of screwed for anything else to do. When does the next 4 and half hour flight back to Santiago, Chili leave? Continue reading “The Suns of Easter Island (1972)”
Much like other long since faded fads like pet rocks, mood rings, pogs and Sniglets, doom and gloom scams come and go with the amazing regularity that only obsessive anti-freedom big government advocates can muster.
Acid rain, nuclear winter, crop failure, Y2K, 2012, asteroids, dirty bombs, pandemics, mega quakes, super volcanoes, smog, global warming, global cooling and every temperature in between are all trotted out from time to time as an excuse to trample on the rights of regular people and increase the power of a highly centralized authority. With such an ever evolving Chicken Little laundry list, it’s tough to keep up with what we are supposed to be scared of in any given month.
Continue reading “The Last Child (1971)”