Take Me Out to the Ball Game (1949)

Take Me Out to the Ball Game PosterThis is a film that I would recommend to all the people complaining that our professional athletes are overcompensated. Not because I think these people are jealous whiners and that they deserve to have to sit through this forgettable musical filled with unremarkable tunes, dance numbers that don’t ever catch fire, and a story about as thin as Frank Sinatra, though that wouldn’t be totally unwarranted punishment for them. But because this movie teaches us what happens when pro ballplayers don’t make enough money and have to find second jobs from shady gamblers.

Right from the beginning, the movie demonstrates how desirous it is for our sports heroes to not be forced into off season employment when we meet up with Gene Kelly and Old Blue Eyes as they perform their vaudeville routine that revolves around a lot of singing and dancing to the title song. Continue reading “Take Me Out to the Ball Game (1949)”

Deception (1946)

Deception teaches us the hard way that the only thing worse than a film ending with a big cello concerto is a film that drones on with lots of talk ten minutes after the big cello concerto.

Watching Paul Henreid straddling a big violin as he makes all these “either I’m a musical genius or I’m in need of some serious fiber” faces while he plays some obnoxious dirge that composer/rival Claude Rains dreamed up in between bouts of surly self-pity at having lost the affections of Bette Davis, made me realize why you don’t see a lot of love triangle movies involving classical musicians these days. Continue reading “Deception (1946)”

Kings Row (1942)

Kings Row successfully navigates around the edges of the movie-style soap opera to bring us a memorable look at how that most hallowed slice of Americana, the clean, pretty, small town, was just as susceptible to madness, corruption and pointless violence as any big city. At least until the last 20 seconds of the movie when the lame and unconvincing happy ending rears its ugly head. Continue reading “Kings Row (1942)”

The Man Who Came to Dinner (1942)

The Man Who Came To Dinner is a story about a radio host, Sheridan Whiteside, who ruins Christmas, but since this is Hollywood, he also manages to save it in the end. And unlike the majority of real people, the titular man’s consistently caustic manner and maddening self-absorption is fairly amusing. The writers also understood the most rudimentary elements of comedy and thus we are also treated to penguins periodically running around loose in the house. Continue reading “The Man Who Came to Dinner (1942)”

Homecoming (1948)

Clark Gable plays a successful surgeon named Ulysses Lee Johnson, but you’ll immediately know him as Ulysses S. Hunk. Anne Baxter plays his wife, Penny and together they lead an existence that is so shallow that not only would Ulysses rather go dancing at his country club than helping out his doctor friend Robert Sunday fight malaria in the bad part of town, he actually tells this to Sunday’s face without a smidgen of guilt! Continue reading “Homecoming (1948)”

The Magnificent Ambersons (1942)

RKO was guilty of the performing the cinematic equivalent of a partial birth abortion on Orson Welles’ The Magnificent Ambersons. Its 88 minute running time only came about after fifty minutes of it were shaved off by RKO butchers following a disastrous test screening.

And for some reason they thought they should show this movie to a Saturday night audience after they had already sat through a test screening of the upbeat musical The Fleet’s In! Guess what? People weren’t quite prepared to sit through Welles’ thoughtful meditation on the ending of a way of life and the coming technological boom after watching sailors sing and dance. Continue reading “The Magnificent Ambersons (1942)”