You know you’re in for some rough sailing when it’s the evil twin that goes over the side of the boat leaving the goody-goody twin to assume her identity. Spoiling your “twin tricks Glenn Ford” gimmick by having him get the better twin after already dumping her for her slightly sluttier sister doesn’t make much sense and limits the sort of screeching drama that a movie of this sort demands.
A slow moving film that never amounts to much and frequently languishes on the shoals of extraneous plot points, A Stolen Life seems to be scripted without any concept of what a Bette Davis movie involving dirty tricks and silly plot twists is all about. Continue reading “A Stolen Life (1946)”






