At the Earth’s Core (1976)

This big screen adaptation of some Edgar Rice Burroughs work that I’ve never bothered to read comes off like a really long live-action Saturday morning television show, probably something akin to Land Of The Lost.

Cheap sets (couldn’t they at least thought about going outside and finding real caves?), clunky monsters flying around on fishing line (don’t even bother trying to hide the fact that these things are just being pushed around by off-screen stage hands), and lame pig-faced people that were obviously ripped off of that one episode of The Twilight Zone are the order of the day! Continue reading “At the Earth’s Core (1976)”

Yor, the Hunter from the Future (1983)

From the opening strains of Yor’s insanely memorable and equally insanely indecipherable theme song where Yor is prancing around various penis-shaped rocks to the very end when he’s flying off into the sunset in a spaceship while a narrator informs us that Yor is going to try to help his people prevent the mistakes of the past, but isn’t sure whether he will be successful, you are in for the absolutely greatest movie of all time that cross-pollinates the cheesy Italian barbarian movie with the cheesy Italian sci-fi movie! Continue reading “Yor, the Hunter from the Future (1983)”

Roller Blade (1986)

RollerBladeCoverSurprisingly, Roller Blade is not the first post-apocalyptic roller skating movie. Skatetown, U.S.A. and Roller Boogie both preceded it by a decade. And if you don’t think either of those films qualifies as post-apocalyptic, I don’t know what else you’d call one movie starring Linda Blair from the director of Truck Stop Women and another featuring (deep breath!) Patrick Swayze, Flip Wilson, Ruth Buzzi, Horshack, Marcia Brady, Scott Baio, and some chick from Little House On The Prairie! Continue reading “Roller Blade (1986)”

Arabian Nights (1942)

Arabian Nights was a big hit for Universal and launched one of the most improbable of film genres: the exotic picture starring the very white and decidedly un-exotic Jon Hall and the somewhat exotic and decidedly untalented Maria Montez (did it occur to anyone that this movie succeeded in spite of these two?) which saw them re-team for later efforts like White Savage, Gypsy Wildcat, Cobra Woman, Sudan, and of course Ali Baba And The Forty Thieves. Continue reading “Arabian Nights (1942)”

Giant of the Evil Island (1965)

Giant of the Evil Island promises us so much. Like a giant. And an evil island. And director Piero Pierotti (Hercules Against Rome) delivers exactly all of it! Now you may need to be a bit flexible on your definition of what a giant is since the pirate Malek appears to be of normal size, though admittedly stocky enough that a little kid might think he was giant. But there’s no doubting the presence of an evil island since Piero has the good sense to actually name Malek’s island hideout as Evil Island! Continue reading “Giant of the Evil Island (1965)”

Excessive Force (1993)

This is a great movie. If you’re Thomas Ian Griffith. Excessive Force is Griffith’s masturbatory fantasy where he’s a tough cop who plays by his own rules. As the writer and star, Griffith manages to leave no stone unturned in search of every 12 year old boy’s idea of how these rogue cop movies are supposed to go. Which I would be totally in favor of if Griffith wasn’t such a tool. Continue reading “Excessive Force (1993)”