Killers Are Challenged (1966)

In what has to go down as one of the great disappointments in the history of cinema, at no time during director Antonio Margheriti‘s Killers Are Challenged does star Richard Harrison (Giants of Rome, Messalina Against the Son of Hercules ) ever utter the phrase “the name is Fleming. Bob Fleming.”

Despite being deprived of what would have certainly provoked snickers among even the actors in the scene where that line might have been uttered, the film does not disappoint in any other area as it manages to ineptly attempt to cash in on the James Bond craze of the mid 1960s with all the success of its preternaturally dimwitted lead character. Continue reading “Killers Are Challenged (1966)”

Superargo vs. Diabolicus (1966)

Superargo Contra Diabolikus PosterEven though I never deciphered what a Superargo was, I marvelled at both the genius of the idea as well as the flawless execution of it. What if you were to take a masked wrestler who was the very best at what he does (wrestle and stuff) and make him a secret agent?

And what if he had to foil a madman bent on world domination? And what if this wrestler had to take on an entire island lair of henchmen to save his girlfriend before the madman can blow the island up and escape in his rocket? And what if this wrestler was the heavyweight champion of the world?

And most importantly of all, would defeating this madman and causing his secret hideout to not only explode, but to sink straightaway into the sea count as one of his mandatory title defenses? Continue reading “Superargo vs. Diabolicus (1966)”

At the Earth’s Core (1976)

This big screen adaptation of some Edgar Rice Burroughs work that I’ve never bothered to read comes off like a really long live-action Saturday morning television show, probably something akin to Land Of The Lost.

Cheap sets (couldn’t they at least thought about going outside and finding real caves?), clunky monsters flying around on fishing line (don’t even bother trying to hide the fact that these things are just being pushed around by off-screen stage hands), and lame pig-faced people that were obviously ripped off of that one episode of The Twilight Zone are the order of the day! Continue reading “At the Earth’s Core (1976)”

Yor, the Hunter from the Future (1983)

From the opening strains of Yor’s insanely memorable and equally insanely indecipherable theme song where Yor is prancing around various penis-shaped rocks to the very end when he’s flying off into the sunset in a spaceship while a narrator informs us that Yor is going to try to help his people prevent the mistakes of the past, but isn’t sure whether he will be successful, you are in for the absolutely greatest movie of all time that cross-pollinates the cheesy Italian barbarian movie with the cheesy Italian sci-fi movie! Continue reading “Yor, the Hunter from the Future (1983)”

Arabian Nights (1942)

Arabian Nights was a big hit for Universal and launched one of the most improbable of film genres: the exotic picture starring the very white and decidedly un-exotic Jon Hall and the somewhat exotic and decidedly untalented Maria Montez (did it occur to anyone that this movie succeeded in spite of these two?) which saw them re-team for later efforts like White Savage, Gypsy Wildcat, Cobra Woman, Sudan, and of course Ali Baba And The Forty Thieves. Continue reading “Arabian Nights (1942)”

Giant of the Evil Island (1965)

Giant of the Evil Island promises us so much. Like a giant. And an evil island. And director Piero Pierotti (Hercules Against Rome) delivers exactly all of it! Now you may need to be a bit flexible on your definition of what a giant is since the pirate Malek appears to be of normal size, though admittedly stocky enough that a little kid might think he was giant. But there’s no doubting the presence of an evil island since Piero has the good sense to actually name Malek’s island hideout as Evil Island! Continue reading “Giant of the Evil Island (1965)”