In a better universe than ours, The Golden Girls wasn’t a sitcom, but an hour long detective comedy/drama with the four old biddies solving any variety of capers, their tart retorts flummoxing bad guys into confessing to an incredulous local police force. It would be like Murder She Wrote, but funnier. And times four! Continue reading “Do Not Fold, Spindle or Mutilate (1971)”
Tyrone Power had much better known films than The Luck of the Irish during his all-too brief film career (tragically cut short at the age of 44 due to a heart attack) such as The Mark of Zorro, The Razor’s Edge, and Nightmare Alley, but his turn as newspaper man Stephen Fitzgerald romancing a pair of women ably demonstrates that he was a star in spite of what was otherwise silly material better suited for a 1980s sitcom than a vehicle for one of the biggest box office draws of his time. Continue reading “The Luck of the Irish (1948)”
Though the era of feature films made by the Walt Disney Company when Walt was still alive is often regarded as the golden age of Disney movies, 1964 proves that like any other studio, Disney was just as capable of releasing an enduring classic like Mary Poppins as well as tedious swill like Emil and the Detectives.
After a moderately eye-catching animated opening that gave you hope you were in for some intriguing cloak and dagger story, the film instantly fills the screen with such an odious experience, you wonder if you’re smelling 75 year old sauerkraut left over from the catering used at the West German filming locations. Continue reading “Emil and the Detectives (1964)”
For those hoping that The Boy Who Stole the Elephant is like an Anarchist’s Cookbook for how to make off with circus animals, you will likely be underwhelmed with little British orphan boy Davey’s scheme to spirit away his soulmate, Queenie. He simply walks out of the circus tent with her in the middle of the night! While there is a certain genius in the simplicity of this plan, he didn’t count on one thing – James Bond’s biggest toothache of them all, Jaws! Continue reading “The Boy Who Stole the Elephant (1970)”
Roxie Hart (Ginger Rogers) was a wannabe show girl whose husband shot and killed a talent scout who was in their apartment making a pass at Roxie. A reporter and another talent scout know what type of town Chicago is – the kind of town where violent chippies like Roxie never swing for killing a man. In fact, they not only beat the rap, but they also become celebrities!
The reporter realizes that with her looks, this could be the biggest story he’s ever covered while the talent scout suddenly realizes that she might have enough talent to be a star. They just need her to admit that she’s the one who killed the guy! Continue reading “Roxie Hart (1942)”
The Luck of the Irish is a made for Disney TV movie whose preachy message of tolerance and diversity is nonchalantly tossed overboard in the final act of the movie so that its conventional fantasy movie plot of recovering a powerful object from the villains can be served.
A lame attempt to rehab things in the final scene by bludgeoning the audience over the head with the star’s ill-advised attempt to make Irish step dancing cool and in one of the more cringeworthy moments in the history of film, then having him sing “This Land is Your Land” while members of the audience join in only serves to possibly explain why you never heard of any of the actors involved ever again. Continue reading “The Luck of the Irish (2001)”
This is one of the gimpier offerings from William Powell and Myrna Loy, a pair known for their sophisticated brand of comedy that triumphed in such fare as The Thin Man and Libeled Lady. Double Wedding is one of those zany screwball comedies where a wacky guy and an uptight gal have to overcome their natural inclinations to be wacky and uptight before they can admit what we all knew going into things: that they’re really, truly, madly, deeply, in love. Continue reading “Double Wedding (1937)”