The best thing you can say about this old-time serial is that you sure do get a lot of old-time serial for your buck. Of course, after sitting through it for about ten minutes of its 244 minutes, it becomes quite clear that the worst thing you could say about this old-time serial is that you sure do you get a lot of old-time serial for your buck. Continue reading “Captain America (1944)”
Dangerous Crossing (1953)
All aboard for terror! Drop anchor on suspense! Prepare to walk the plank of total madness! Man the lifeboats…for mystery! It’s the most dangerous freaking crossing ever! Because the ship’s doctor is not adverse to slapping the taste out of unruly female passengers’ mouths! Continue reading “Dangerous Crossing (1953)”
Cyber Tracker (1994)
It’s time for another one of those bargain basement action icon team ups that can occasionally nudge a movie like Cyber Tracker from cyber crapper status all the way up to cyber clunker status!
Much like the Jeff Speakman flick Scorpio One which had the Perfect Weapon take on Brent Huff of Strike Commando 2 fame, Cyber Tracker creams the undiscerning action audience’s jeans with the mouth watering showdown between Don “The Dragon” Wilson and Richard “The Kick Fighter With A Mullet” Norton. Continue reading “Cyber Tracker (1994)”
Psychomania (1973)
As soon as you see a dude in his colors straddling his chrome horse and eating up blacktop while the pigs are sucking his fumes, you know you’re in for another biker gang movie full of drinking, brawling, and weird slang. You could take it or leave it, right? But what would you say if this was a biker gang who died and came back as zombies? And what if it starred Oscar winning film legend George Sanders? I know exactly what you’d say: looks we finally solved the mystery of why Oscar winning film legend George Sanders committed suicide right after making this movie! Continue reading “Psychomania (1973)”
Double Indemnity (1944)
You don’t have to go any further than the opening credits of this one to know that it’s one of the titans of film noir. Based on a novel written by James M. Cain (The Postman Always Rings Twice), the film was directed by Billy Wilder (Sunset Boulevard) with a screenplay by Wilder and Raymond Chandler (The Big Sleep). The only thing you may wonder about is that it stars Fred MacMurray. If you only remember Fred from his days inventing Flubber and advising My Three Sons what to do about their gender confusion, you’ll be pleasantly surprised that Fred makes a very convincing murderer, schemer, and dude who was a little too smart for his own good. Continue reading “Double Indemnity (1944)”
Eraserhead (1977)
Henry is a regular guy dressed in suit and tie and favoring the hairstyle that either Kid or Play made famous in all those great House Party movies. If you think that the movie is called Eraserhead because of his hair though, you seriously underestimate this film. Director David Lynch has a little more up his sleeve than run-of-the-mill nicknames here. Like dinner at Henry’s ex-girlfriend’s house that features little midget dancing chickens as the main course! Continue reading “Eraserhead (1977)”
Evil Dead Trap (1988)
Nami is the host a late night talk show and one of the segments they do is to feature home videos that their fans send in. And while we here in America have proven for decades our healthy obsession with funny home videos about pets doing weird things, people catching on fire at weddings and guys getting whacked in the balls, Nami’s viewers take this family friendly past time in a decidedly much more twisted direction!
One of the viewer submitted tapes shows someone going through the city and ending up at an abandoned factory where a woman is tortured and killed. To establish that this is one of those “over the top” movies we get a nice long, loving shot of a knife going into her eyeball. Nami is horrified and does what any of us would do. She gets four members of her crew together and they follow the landmarks that were on the video tape and go to the abandoned factory. Continue reading “Evil Dead Trap (1988)”
