At first glance it seems sensible to be concerned for the children’s safety when the polar bear attacks the ballet school. After all, the lumbering brute is just part of a whole group of animals rampaging across the city after drinking some bad zoo water. Rats are eating cats and people, Cheetahs are racing Volkswagens and folks are getting strangled by elephant trunks! What chance do a bunch of wimpy dance kids have against the most dangerous animal to ever enjoy an ice cold Coke? Continue reading
A cyborg is programmed to kill the one man who can save all of humanity from total ecological collapse! But while they may have replaced his wimpy meat hands with awesome metal hands (that look exactly like wimpy meat hands), they forgot to replace the one thing that matters most to a man! No, not his dingus! You’d have to ask his girlfriend Linda about that, you perv!
He still has his heart! And that is how he explains why when he delivered his patented death punch to the blind Al Gore-esque eco messiah, he eased up just a bit so that the ruptured spleen the poor bastard suffered didn’t immediately kill him! Uh thanks for having such a big heart, I guess. Continue reading
“You’re saying Shooman is a KGB agent, out at the front, countering Vietcong attacks! Sounds like science fiction!” Sure does, but you know what else it sounds like? A Bruno Mattei movie! The fact that it was Romano Puppo who spit out this bit of soft-headed, hard-boiled dialogue only confirms it! (Puppo (Escape from the Bronx, 2019: After the Fall of New York) spends most of his scenes chewing out Brent Huff for calling him “Skipper” prompting the classic line, “this isn’t a goddamn yacht club!”) Continue reading
If it wasn’t for the fact that director Joe D’Amato (Blue Angel Cafe, Heroes In Hell) made a bunch of Ator movies, a bunch of Emanuelle movies, a bunch of dirty movies, Endgame, and even something called Porno Holocaust, one might get the idea from Passion’s Flower that Joe didn’t have a clue what he was doing. Continue reading
Blue Underground’s DVD of Revolver finally answers that ages-old question of the cinema, “did Oliver Reed really eat light bulbs after trying to out drink Fabio Testi and failing?” Continue reading
There’s some pretty poor decision making going on in Dario Argento‘s Inferno. The dippy woman who tries to steal the most evil book this side of the Necronomicon? Be glad you only got murdered later on and didn’t get your face shoved in the pot of boiling gunk the dude with the monster claws was using to fix books with. Next time try using your library card! Continue reading
This may come as something as a shock to many of you, but sometimes even the most minutely planned diamond heist can go horribly wrong. Grand Slam follows the formula to the letter right down to the doublecross at the end of things that you pretty much had to see coming, if only as a way to explain one character’s sudden change in behavior during the middle of the movie. The only way the movie could have turned out that would have genuinely surprised me was if the big steal was pulled off without a hitch and everyone got their fair share of the booty. Continue reading
Made back in 1962, Ursus, the Rebel Gladiator most likely was lumped in with all the other musclehead movies coming out of Italy at the time. Audiences then can be forgiven if they thought this one was interchangeable with the latest entry in the Hercules, Goliath, Maciste, Samson, Atlas, Ursus and Ulysses film series.
It is also precisely because of this glut of pretenders that I’m going to cut the Academy a little slack for failing to recognize Ursus, the Rebel Gladiator with the Oscar for Best Picture that year. And lest you think this some artless attempt at being obtusely droll, all I’m saying is that if they can give this movie five Oscars when it came out again in 2000, then it was a shame that the participants in the first one languish in obscurity. Continue reading
Giallo a Venezia gets criticized quite a bit for generally being a disgusting piece of trash. Normally, I’m inclined to dismiss claims such as this as the ravings of oversensitive bluenoses, but after suffering through this one though, I am reluctantly inclined to agree wholeheartedly. After all, who can argue that the presence of naked dudes in this movie isn’t completely gratuitous and has no place in an otherwise upstanding and sleazy slice-n-dice? Continue reading
Ursus, The Terror of the Kirghiz (released as Hercules, Prisoner Of Evil in the U.S.) documents an important geopolitical struggle between two tribes of grubby barbarians you never heard of. Continue reading