What took man centuries to build, Italian film director Giuseppe Vari takes seconds to destroy through a barrage of mushroom cloud stock footage! Even more terrifying is that Vari apparently got a buy one, get one free deal on stock footage because he follows up his mushroom clouds with shots of volcanoes erupting!
There’s no need to fret though that he’s going to use the volcanoes to do something silly like having Earth overrun by lava monsters. Vari knows that what will happen following an apocalyptic nuclear war is an immediate rise in the population of mutant biker gangs! Continue reading “Urban Warriors (1987)”
It’s really like any other post-apocalypse. It begins with all manner of stock footage depicting modern life and mushroom clouds right down to the same shots of houses being blown away in an atomic blast we’ve seen since they were first shot in the 1960s by the US government.
And then it’s time for Director Tonino Ricci to bring his uniquely personal vision to the aftermath! A personal vision that looks like a Cirio H. Santiago movie (think endless shots of rock strewn desert), but without all the colorful mutants, midgets, and guys dressed up like they were into Mad Max cosplay. In short, the terrifying unimaginative (and by extension, quite budget friendly) vision we saw from Tonino the year before in his film Rush! But now we’ve upgraded our hero from a bad ass named Rush to a raging bad ass named Rage! Continue reading “A Man Called Rage (1984)”
This post-apocalypse is brought to you by big ass belt buckles! Foregoing the usual Italian Mad Max ripoff accoutrements such as spiked shoulder pads and metal studded codpieces, Rush takes a less ostentatious approach by having Rush’s wasteland edition leather pants sturdily secured by a belt buckle roughly the size of the bloody mutant rat Rush cringes at upon seeing.
Initially you admire this subtle approach the film takes versus more flamboyant Italian dishes such as Exterminators of the Year 3000, The New Barbarians, 2020 Texas Gladiators and 2019: After the Fall of New York. As the film progresses though, you begin to suspect that what’s happening isn’t because of a sudden attack of artistic restraint on the part of director Tonino Ricci (Raiders of the Magic Ivory, Days of Hell so much as the grim reality of financial constraint.
Continue reading “Rush (1983)”
The dopey 1970s science fiction premise: overpopulation has made most of the Earth an uninhabitable pile of garbage. People are relegated to large, smog-filled totalitarian cities where they need to wear gas masks when out in public and listen as government propaganda-spewing drones hover above them. In an effort to combat the effects that dwindling resources are having, all the countries in the world have implemented a policy of zero population growth and forbidden anyone for having children for the next thirty years.
But big government knows the little woman at home really wants a baby of her own to play with (and let’s be honest – men just want sex and football so that aren’t too worked up by all this) so they create dolls to substitute for real kids! Just head down to the Baby Store (sorry – no infants currently in stock) and you can get a doll that will talk (like a cheap doll), suffer from minor childhood illnesses and even push a stroller a few feet! Continue reading “Z.P.G. (1972)”
It was while watching Flight from Paradise, an obscure Italian post-apocalyptic film mostly about not much of anything, that I finally realized what it was that Logan’s Run had been missing. Camels! Sure, it had Farah Fawcett-Majors, cool models, ice cavern, large robot, Sandmen, Carousel and a ruined Washington D.C. and Flight from Paradise had none of them, but it did have several dopes cruising around on dromedaries! Continue reading “Flight from Paradise (1990)”
You can be forgiven if you forgot that World War III happened back in 1998 like Creepozoids depicts with all the conviction of a movie made for a few thousand dollars inside a single building with six people, including scream queen Linnea Quigley, guys who spend most of the film shrieking like women (Quigley must have been wondering if they were trying to steal her gimmick) and a sometimes porn star can muster. Continue reading “Creepozoids (1987)”
The solitary thing that straight-to-video brainfreeze Battle Queen 2020 is able to accomplish in one of the longest 79 minutes you will ever spend is to communicate to the audience that the end of the world will be horrible beyond all imagining. So many post-apocalypse movies glamorize the destruction of civilization with spectacular effects, suspense, plot twists, characters you root for, and all manner of mutants, cannibals, bikers, and regular old monsters. Battle Queen 2020 opts for a much more horrifying combination of primitive special effects, softcore porn, and hardcore boredom. Continue reading “Battle Queen 2020 (2001)”