Cyborg 009: Legend of the Super Galaxy (1980)

From the four corners of the world, eight cyborgs leave their current civilian lives, putting their dreams of being a race car driver, ballerina, and bull fighter on hold so that they might help one of their own and also to save Earth!

Once they join forces, the greatest super team of all team is back in action! Yes true believer, your suspicions are well-founded! The dream is alive and well! Finally after twenty-five years, the Galaxy Legion has reunited to combat evil, to cast light upon the dark, and to find out how 006’s career as a matador is working out! Continue reading “Cyborg 009: Legend of the Super Galaxy (1980)”

Mark of the Scorpion (1986)

Producer Augusto Caminito is at it again! The man who brought us the most famous Italian Indiana Jones clone ever to use a longshoreman’s hook in The Mines of Kilimanjaro rents some caves in Tunisia to dramatize the legendary quest for Cleopatra’s lost treasure in Mark of the Scorpion!

If you’ve never heard of Cleopatra’s lost treasure, don’t feel like a moron for letting your subscription to Sports Illustrated For Treasure Hunters lapse because her goodies turn out to be a mostly empty trunk with an ancient scroll and a few ugly gold trinkets in it! Continue reading “Mark of the Scorpion (1986)”

Goliath and the Barbarians (1959)

Made very early in the sword and sandal cycle of the late 1950s and early to mid 1960s, Goliath and the Barbarians attempts to get by solely on the fact that the biggest name in the genre, Steve Reeves, is the featured player. The movie fails to rise above “forgettable strongman epic” but the fault in no way lies with big Steve.

Steve and his Goliath-sized guns grunt and groan mightily in an effort to heave this movie into something approaching interesting, but even his mammoth chest, no matter how much it’s glistening with hunk-sweat, can’t overcome the dull story of barbarians harassing Steve’s lower class village. Continue reading “Goliath and the Barbarians (1959)”

The Last Match (1991)

As I watched it unfold, I couldn’t believe I hadn’t seen it about a hundred times before. It seems so obvious in retrospect. A loved one gets framed up in some nameless banana republic on drug charges. A father can’t get any help from the impotent American embassy. His daughter is facing years behind bars in such a tough prison that the warden has the father beaten during visiting hours! There’s no one left to turn to for help! Except the teammates on his professional football team! Admit it, you just got goosebumps! Continue reading “The Last Match (1991)”

The Opponent (1988)

In life nothing is more pure than the sweet science of effortlessly bad Italian filmmaking! Relentlessly pummeling the viewer with its English-as-a-third-or-fourth-language level dialogue, jabbing with its cast of faded legends, has beens, bimbos, and talentless dudes vaguely recognized from other horrid Roman roundups before finally delivering the knockout blow with a deadly combination of awful songs, punch-drunk plot, and laughably over-the-top action, movies like The Opponent easily fill the undercard of your pointless life. Continue reading “The Opponent (1988)”

After the Condor (1990)

At the very bottom of the world the chase is on for the greatest treasure ever stolen by the governor of Peking, but whose location may only be known by his possibly gay chauffeur!

And when the Annie Oakley of Argentina is among those vying for the priceless booty still lost in the icy-depths of the glacier-filled lake, you better have your best zigging and zagging mojo working for you when you’re scrambling about on a nearby mountain!

But that isn’t anything compared to the zigging and zagging you’ve got to do in the bedroom since when you’re not in Buenos Aires poking the local real estate agent to get the goods on the old villa that might house clues to the treasure, you’re extending your landing gear into some hussy pilot so that you can use her plane to try and spot the treasure in the lake from the air! Continue reading “After the Condor (1990)”