I know what you’re thinking. “Ugh, another wan Indiana Jones imitation with lame stunts, rickety temples, and treasure that appears to be fashioned from tin foil and one of my grandma’s vases.” Continue reading “The Mines Of Kilimanjaro (1986)”
Category: Adventure
The Secret of Boyne Castle (1969)
What is the mysterious and undoubtedly quite shocking secret of Boyne Castle? Is it that its dark and creepy parapets are haunted by a vindictive banshee intent on screeching at visitors so they can’t get a good night’s sleep? Continue reading “The Secret of Boyne Castle (1969)”
79 A.D. (1962)
A lot of folks ask me why they should care about ancient history in general and old Italian gladiator movies about ancient history in particular. Who cares whether some guy named Feces Maximus fought a guy named Flatulence the Elder over a beautiful girl named Chlamydia? What does that have to do with my life here in the futuristic present where people have normal names like Barack and Kanye? Continue reading “79 A.D. (1962)”
Eaten Alive! (1980)
Still hacking our way through Italian cannibal territory, Eaten Alive is another Umberto Lenzi movie about unknown Italian actors and wayward porn stars stumbling around the jungle getting raped, chopped up and eaten. Continue reading “Eaten Alive! (1980)”
Jack the Giant Killer (1962)
Uh, so where the magic beans? If I’m watching a movie called Jack the Giant Killer, then I have to believe that somewhere along the way, I’m going to see a dude named Jack get hoodwinked into trading grandma’s cow for some magic beans. Continue reading “Jack the Giant Killer (1962)”
Prehistoric Women (1967)
Prehistoric Women starts off promisingly enough. And by that I mean the suitably lurid poster art depicts a jungle queen perched on a saber-toothed tiger’s head while an evil tiki god looked on behind her. (Of course no saber-toothed tiger appeared in the film, but the jungle queen repeatedly shimmied for your amusement.) Continue reading “Prehistoric Women (1967)”
She Gods of Shark Reef (1958)
It only makes sense that if you’re going to spend a certain amount of money traveling to shoot a film, that it would really only cost half as much if you went ahead and shot two films once you arrived on location. However, what makes sense for director Roger Corman, might not necessarily make any sense for the rest of us. Continue reading “She Gods of Shark Reef (1958)”
