This post-apocalypse is brought to you by big ass belt buckles! Foregoing the usual Italian Mad Max ripoff accoutrements such as spiked shoulder pads and metal studded codpieces, Rush takes a less ostentatious approach by having Rush’s wasteland edition leather pants sturdily secured by a belt buckle roughly the size of the bloody mutant rat Rush cringes at upon seeing.
Initially you admire this subtle approach the film takes versus more flamboyant Italian dishes such as Exterminators of the Year 3000, The New Barbarians, 2020 Texas Gladiators and 2019: After the Fall of New York. As the film progresses though, you begin to suspect that what’s happening isn’t because of a sudden attack of artistic restraint on the part of director Tonino Ricci (Raiders of the Magic Ivory, Days of Hell so much as the grim reality of financial constraint.






